Showing posts with label B-movies. Show all posts
Showing posts with label B-movies. Show all posts

Wednesday, July 25, 2007

God Told Me To (1976)



(Directed by Larry Cohen, 1976, USA)

"God Told Me To" is a good example of a neat B-movie thriller going off the cinematic rails into plot insanity after a good hour or so of murder and mayhem.
Tony Lo Bianco plays a detective investigating a series of murders wherein random, seemingly normal people start killing others for no reason except that God told them to. How can you go wrong with that?

A lot of ways, definitely. The opening shot (hehe) starts off with a visual bang representation of Andre Breton's surrealist dictum of the ultimate surrealist act: firing a revolver into a crowd. In this case it is a sniper on a watertower picking people off around mid 1970's Bloomingdale's. Our intrepid detective climbs up and talks to said sniper only to hear the reason why he's doing this: "God told me to".
There is a great setup here, and even better when the same occurence happens at the St. Patrick's Day NYC parade with an unknown (yes, it's really him) Andy Kaufman going nuts, picking people off in police uniform. And God told him to of course.



The movie starts to combine different elements: the love life of Detective Lo Bianco involving a girlfriend Deborah Raffin and an ex-wife played by the late great Sandy Dennis, alien abduction, a Sylvia Sydney cameo, scary sci-fi elements, a short journey into blaxploitation territory and a weird quasi-early David Cronenborgish finale. As an ambitious B-movie, all of these said plot elements do not cohere together competently. On the Internet Movie Database page for this movie, I did feel happy that a lot of viewers didn't understand what was happening in the ultimate scene. I guess you can chalk it up to an ambitious director's screenplay trying to cover everything: for me, it was nice to see Lo Bianco in a lead role, NYC in the 1970's,the weird religion-gone-wrong vibe. It's admittedly a cult film, but the first part doesn't match the second part. I give props to Larry Cohen, thirty-plus years later after this low-budget film was released, it is still being argued about.
For a good hour, it's really good, but ultimately sinks under the weight of its ambition. Fun ride though!

Wednesday, June 27, 2007

Manos: The Hands of Fate (1966)



(Directed by Harold P. Warren, 1966, USA)

Ouch! my brain still hurts!

This dreck is so bad it makes many B-movie cheesy flicks look like fine cinematic masterpieces. After this 16mm celluloid crime was lifted from obscurity (where it should have remained for all eternity) as the subject of a famous episode of MST3K in the early 90's, "Manos" still retains its awfulness among the true cinematic offal. Whatever you do: DON'T SEE THIS!

Well, if you must: it concerns the story of Mike (the movie's director, Harold P. Warren), his 'wife' Margaret (Diane Mahree) and their daughter Debbie (Jackey Neyman) and Debbie's rather lackluster puppy driving around endlessly and getting lost until they finally reach a 'shack' in an isolated area, caretaken by someone named Torgo (John Reynolds). Torgo (who claims he's caring for the place while "the Master' is away), has a tendency to repeat everything twice, like "It'll be getting dark soon. There's no way out. It'll be getting dark soon..." etc. Torgo (for unidentified reasons) has huge knees and an incredible case of either the fidgets, DT's or Parkinson's Disease. After warning the unfortunately lost and clueless family ominously (sort of), about "the Master being displeased", he is ordered by Mike to bring the family's bags out from their car into the shack. And ordered to bring them back to the car again. And vice-versa. At this point my brain rebelled and I needed to go somewhere else for awhile, for about 5 minutes. Unfortunately the movie was still on when I returned. The Master (Tom Neyman, in an awesomely bad performance) eventually does awaken from his rest with his wife posse: all six of them. The wives engage (after arguing in geese voices) in an epic catfight: meanwhile, the puppy gets killed, Debbie vanishes, Debbie reappears with a Doberman that runs away (smart dog); Margaret gets molested by Torgo, and on and on: it's the first horror movie wannabee shot in real time. Or something like it. While going on and on for 69 minutes, through the magic of synergy, the actual running time seems to extend into 3 hours of viewing, or what feels like standard paint-drying time.

For me, the highlight of the movie was Mike getting knocked out by Torgo: how many times have you wanted to see really bad directors get popped into unconsciousness? but that gratuitous act of violence didn't stop this movie, no sirree! After many non-scary moments, let's just say it all ends with a twist and then the credits roll (with the requisite "The End?" postulation), and some Shirley Bassey-type lounge singer singing "I'll forget you"....yeah, sweet consolation.

I've often wondered what really makes a bad movie: Manos seems to contain all the elements: bad script (why does the master have six wives? why are they asleep or to quote Torgo, "not alive on this plane", are they satanists? Free-love swingers gone bad? the undead? from New Jersey?); bad continuity: people standing in a frame for a full 10 seconds before realizing they need to speak their lines, and then a rapid cut repeatedly to something else, then back to more dead air dithering: Mike and Margaret stare for so long at a painting of the Master and a Dobermann, it seems like they're meditating and the camera cuts to a bored Debbie...and over and over again, several times. atrocious acting: Margaret's role consists of continually yelling "Help Mike!" throughout the entire movie. The Master seems to have wandered in from "Master Thespian" class and intones in a stagy voice, the voice of DOOM. And then there's Torgo, helpfully repeating his lines as if we didn't get it the first time. Bad camerawork : The camera used was a 16mm Bell & Howard that could only film for 30 seconds and the camera's sound recording was broken, causing for choppy editing and out of snc sound. One blogger said hilariously that the director was follwing the "Zapruder School of filmmaking"
The subsequent dialog sound was dubbed with three voices: it really sounds that way. Oh yes and then there's that cheesy Manos parka with the hands outstretched has the makings of a wonderful Halloween costume.....NOT! Needless to say, no one in this atrocity ever acted in a movie again, it's just for the best. If you must see this, it might scar you for life, but an ideal viewing might consist of getting a group of friends together along with the poison of your choice: whoever makes it through the entire movie still awake with relatively functioning brain cells wins!

If you're looking for the worst of the worst, you can't go wrong with this incompetently made turkey. Just remember: you won't forget the experience, no matter how much you want to.

Monday, June 18, 2007

Grindhouse (2007)



(Planet Terror directed by Robert Rodriguez,
Death Proof directed by Quentin Tarantino,
Trailers: Machete directed by Robert Rodriguez,
Thanksgiving directed by Eli Roth,
Werewolf Women of the SS directed by Rob Zombie,
Don't directed by Edgar Wright. USA, 2007)


"Grindhouse" consists of two movies: "Planet Terror" directed by Robert Rodrigues and "Death Proof" directed by Quentin Tarantino. Along the way, amid vintage '70's coming attraction notices are trailers, spoofs of imaginary films: "Machete" directed by Robert Rodriguez; "Thanksgiving" by Eli Roth (of the "Hostel" and "Saw" franchises fame), Werewolf Women of the SS" directed by Rob Zombie and my ultimate favorite "DON'T" directed by Edgar Wright (of "Sean of the Dead" and the recent "Hot Fuzz").

I saw this for free and would like to say I enjoyed it... but I didn't. OK, "Planet Terror" was fun, except that Rose McGowan doesn't get her machine gun leg until nearly the end of the movie, later she returns as a blonde for Tarantino's "Death Proof", and ultimately gets dispatched. "Planet Terror" was good trashy fun, "Death Proof" was rather boring and I snoozed through a small part of it. "Planet Terror" does take on every 1970's zombie horror movie cliche and gets a lot right. "Death Proof" is more of an homage to "Two Lane Blacktop", "Dirty Mary, Crazy Larry" and other 1970's car chase road flicks. "Death Proof" neatly divides itself into two: the first part with the grisly demise of radio female disk jockey Jungle Julia with a few gal pals by 'Stuntman Mike' (Kurt Russell channeling Kris Kristofferson)in his suped-up 'death proof' car and the second part deals with Stuntman Mike getting his comeuppance by a stuntwoman and her badass gals who take him on. Along the way, there is talk, driving, more talk, circular talk, circular talk with circular camera pan...around that point I snoozed for a few. The ultimate showdown speeding life-or-death car race (after the first brutal part of the movie) is a bit of a let-down, but then we're seeing the theatrical version; the 'new and improved' version of "Death Proof" hasn't been released yet. Tarantino fans should be overjoyed. Others will feel nostalgia and turn on any dreaded late night movie....oh no! INVASION OF THE BEE GIRLS!

"Grindhouse" just made me long for the real thing, it was fun but a carbon copy of something that shouldn't be copied in the first place.